4 Best Sights in Provence, France

Atelier Cézanne

Fodor's choice

Just north of the vieille ville (Old Town) loop you'll find Cézanne's studio. After the death of his mother forced the sale of the painter's beloved country retreat, Jas de Bouffan, he had this atelier built and some of his finest works, including Les Grandes Baigneuses (The Large Bathers), were created in the upstairs workspace. But what is most striking is the collection of simple objects that once featured prominently in his portraits and still lifes—redingote, bowler hat, ginger jar—all displayed as if awaiting his return. The atelier is behind an obscure garden gate on the left as you climb Avenue Paul-Cézanne.

Pavillon de Vendôme

Fodor's choice

This extravagant Baroque villa was built in 1665 as a country house for the duke of Vendôme. Its position just outside the city's inner circle allowed the duke to commute discreetly from his official home on Cours Mirabeau to this retreat, where his mistress, La Belle du Canet, was comfortably installed. The villa was expanded and heightened in the 18th century to draw attention to the classical orders—Ionic, Doric, and Corinthian—on parade in the row of neo-Grecian columns. Inside the cool, broad chambers you can find a collection of Provençal furniture and artwork. Note the two, curious, giant Atlantes that hold up the interior balcony.

Hôtel de Sade

Make your way to the Hôtel de Sade, a 15th- and 16th-century private manor now housing the treasures unearthed from the ruins of Glanum. The de Sade family built the house around remains of 4th-century baths and a 5th-century baptistery, now nestled in its courtyard.

Rue du Parage, St-Rémy-de-Provence, Provence-Alpes-Côte d'Azur, 1380, France
04–90–92–64–04
Sights Details
Rate Includes: €4, Closed mid-Sept.–May

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Jas de Bouffan

Cézanne's father bought this lovely property 1 km (½ mile) west of the center of town in 1859 to celebrate his rise from hatmaker to banker. The budding artist lived at the estate, whose name translates as "the sheepfold," until 1899 and painted his first images of Mont Sainte-Victoire—foundations of 20th-century art—from the grounds. Today the salons are empty, but the estate is full of the artist's spirit, especially the Allée des Marronniers out front.  The site is closed for renovations until 2025. Check with the central tourist office before visiting, as access has traditionally been via guided tours arranged through the office.