161 Best Sights in Morocco

One of the city’s few museums, the Abderrahman Slaoui is hidden away in a splendid Art Deco villa. Permanent exhibits feature a collection of the nation’s treasures, including delicate crystal perfume bottles, Jacques Majorelle paintings, vintage prints, and 300-year-old jewelry from Fez. The museum has a café spilling out onto the rooftop, and a shop. Guided visits are available for 100 DH and there are creative art workshops in subjects such as photography, tapestry, and drawing and painting for children.

If you want a little breath taken out of you, don't pass up the chance to see this extraordinarily well-preserved 16th-century Koranic school, North Africa's largest such institution. The delicate intricacy of the gibs (stucco plasterwork), carved cedar, and zellij (mosaic) on display in the central courtyard makes the building seem to loom taller than it really does. As many as 900 students from Muslim countries all over the world once studied here, and arranged around the courtyard are their former sleeping quarters—a network of tiny upper-level rooms that resemble monks' cells. The building was erected in the 14th century by the Merenids in a somewhat different style from that of other medersas; later, in the 16th century, Sultan Abdullah el Ghallib rebuilt it almost completely, adding the Andalusian details. The large main courtyard, framed by two columned arcades, opens into a prayer hall elaborately decorated with rare palm motifs as well as the more-customary Islamic calligraphy. The Koranic school closed in 1960, but the building was restored and opened to the public in 1982. In 2018 the building closed for further restoration and is expected to reopen in 2022.

All that remains are ruins, but Chellah was an elaborate, independent city before Rabat ever existed. Presumably founded by Phoenicians, it dates from the 7th or 8th century BC. You'll see the remains of the subsequent Roman city, Sala Colonia, on your left as you walk down the path. Though these remnants are limited to broken stone foundations and column bases (with lots of resident storks), descriptive markers point to the likely location of the forum, baths, and market. Sultan Abu Saïd and his son Abu al Hassan, of the Merenid dynasty, were responsible for the ramparts, the entrance gate, and the majestic portals. The Merenids used Chellah as a spiritual retreat, and at quiet times the baraka (blessing) of the place is still tangible.

The entrance to the Merenid sanctuary is at the bottom of the path, just past some tombs. To the right is a pool with eels in it, which is said to produce miracles—women are known to toss eggs to the eels for fertility. The ruins of the mosque are just inside the sanctuary; you can still see the beautiful arches and the mihrab (prayer niche). Birds nest on the impressive minaret. On the far side of the mosque is a beautiful wall decorated with Kufi script, a type of Arabic calligraphy characterized by right angles. To the left of the mosque is the zaouia (sanctuary), where you can see the ruins of individual cells surrounding a basin and some ancient mosaic work. Beyond the mosque and zaouia are some beautiful, well-maintained walled gardens. Spring water runs through them at one point, and they give Chellah a serenity that's quite extraordinary considering that it's less than a mile from the center of a nation's capital. From the walled gardens you can look out over the River Bou Regreg: you'll see cultivated fields below and cliffs across the river. On the right is a hill with a small white koubba.

El Jadida's main attraction is the atmospheric Cité Portugaise, which was built for military purposes in the early 1500s, overtaken by the Moroccans in 1769, and registered as a UNESCO World Heritage Site in 2004. Impressive (and still imposing) stone walls make it difficult to miss. The Portuguese city was originally a rectangular island with a bastion on each corner, connected to the mainland by a single causeway. Take the entrance on the right where you'll see that the Portuguese street names have been retained.

Salé has long been known throughout the country, and beyond, for its local pottery. At this particular complex (just off the road toward Fez, to the right after the river from Rabat) visitors can browse through a whole series of pottery shops, each with its own style; you might also get the chance to chat with a potter or maybe even try your own hand at clay work. Other crafts have been added as well, notably bamboo and straw work and mosaic-tile furnishings.

The open square market at the center of the medina is Marrakesh's heartbeat and a UNESCO World Heritage site. This centuries-old square was once a meeting point for regional farmers and tradesmen, storytellers and healers. Today it's surrounded by bazaars, mosques, and terraced cafés with balcony views over the action. While it’s relatively quiet during the day, food stalls and performers begin to appear in the late afternoon. 

Djemâa el Fna comes to life at night when it fills with a variety of performers enticing locals and visitors alike. Gnawa dancers sway clanking their krakebs (castanets) and strumming on traditional guitars while traditional storytellers regale locals with tales from the past. By sunset the square is full, and smoke rises from the makeshift stalls that are set up every evening and offer grilled meats on paper-lined tables. 

All day (and night) long you can get fresh orange juice from the green carts that line up around the square, starting at 4 DH a glass. You can also pose for a photograph with one of the roving water sellers (you'll be expected to pay at least 10 DH for the privilege), whose eye-popping costumes carry leather water pouches and polished-brass drinking bowls---we don't recommend drinking from the offered cup of water. Or snack on sweet dates, apricots, bananas, almonds, sugar-coated peanuts, and walnuts from the dried fruit–and–nut stalls in the northwest corner. It’s a festival atmosphere every night of the week!

It's worth noting that while these days this is a wonderful bazaar, once upon a time the Djemâa's purpose was more gruesome: it accommodated public viewings of the severed heads of sinners and criminals. Djemâa actually means "meeting place" and el Fna means "the end" or "death," so as a whole it means something along the lines of "assembly of death" or "meeting place at the end of the world."

Watch out for pickpockets and be wary of ladies here offering henna applications as they're not always aboveboard.

In most cases your hotel is your best bet for an organized tour of Erg Chebbi. Every auberge near the dunes is there because it's a prime jumping-off point for a sunrise or sunset journey, either on foot or by camel. Most auberges have their own permanent bivouac in the dunes, often not far from others but generally fairly well concealed—which lets you pretend no one else is around even if they are. Most bivouac areas are organized into series of small tents for couples and larger groups, so you don't have to share with everyone. If you want to be utterly private, make sure your auberge doesn't share a tented site with any other, or ask to camp in the dunes on your own.

The splendid Erg Chigaga dunes are the principal reason why visitors make the trek south to M'hamid. Wild, remote, and largely unspoiled, they’re only accessible by heading west out of the village on 50 km (31 miles) of dusty and stony pistes. The journey takes three hours in a 4x4 vehicle or three days on a camel, though hurried jet-setters bound for Erg Chigaga’s luxury bivouac camps sometimes come by helicopter direct from Marrakesh. Morocco’s highest dunes, rising almost 1,000 feet, are approached by crossing smaller dunes, hammada (rocky Martian-like terrain), and flat expanses, which are sometimes flooded in winter. A few nomadic families still live in the region, herding their camels and goats through the pasture, which can be surprisingly lush.

Casablanca's skyline is dominated by this massive edifice, decorated with magnificent zellij (mosaic tiles). The building's foundations lie partly on land and partly in the sea, and at one point inside you can see the water through a glass floor. The main hall holds an astonishing 25,000 people and has a retractable roof so that it can be turned into a courtyard. The minaret is more than 650 feet high, and the mezzanine floor (which holds the women's section, about 6 feet above the main floor) seems dwarfed by the nearly 200-foot-high ceiling. Still, the ceiling's enormous painted decorations appear small and delicate from below.

Funded through public subscription, designed by a French architect, and built by a team of 35,000, the mosque was erected between 1987 and 1993 and is one of the largest in the world, its minaret being the tallest. It was built in Casablanca primarily so that the largest city in the kingdom would have a monument worthy of its size. Except for the ruined Tinmel mosque in the High Atlas Mountains, this is the only mosque in Morocco that non-Muslims are allowed to enter. One-hour guided tours of the mosque are offered daily (six per day, Saturday to Thursday; four on Friday). There are reduced hours during Ramadan. Be sure to dress conservatively, and note that you will be required to remove your shoes at the entrance.

If you fly out of Casablanca, try to get a window seat on the left for a good view of the mosque in relation to the city as a whole.

Volubilis's best set of mosaics, not to be missed, is in the House of Venus. Intact excavations portray a chariot race, a bathing Diana surprised by the hunter Actaeon, and the abduction of Hylas by nymphs—all still easily identifiable. The path back down to the entrance passes the site of the Temple of Saturn, across the riverbed on the left.

Filled with green bamboo thickets, lily ponds, and an electric-blue gazebo, the Jardin Majorelle is a stunning escape. It was created by the French painter Jacques Majorelle, who lived in Marrakesh between 1922 and 1962, and then passed into the hands of another Marrakesh lover, the late fashion designer Yves Saint Laurent. There's a fascinating Amazigh museum housed within the painter's former studio, with a permanent exhibit of tribal jewelry, costumes, weapons, ceramics, and rustic household tools and implements. There is also a shop and a delightful café. The Musée Yves Saint Laurent is next door.

Try to visit the gardens in the early morning before the tour groups—you'll hear the chirping of sparrows rather than the chatter of humans.

Just 10 km (6 miles) north of Salé, you'll find the extraordinary Jardins Exotiques, which were created in the mid-20th century by a Frenchman named Marcel François, who used to play classical music to his plants. Planned to represent different regions (like Polynesia, Brazil, or Japan), the gardens are a haven for birds and frogs. There are two circuits of different lengths and the walkways and bridges make this a wonderful playground and educational experience for children, too. Since François's death in 1999, the property has been maintained by the government and has recently been well restored. A touching autobiographical poem forms his epitaph at the entrance.

Many people combine a visit to the gardens with a day at the beach at Plage des Nations, another 10 km (6 miles) along the coast. A private taxi organized by your hotel costs 300 DH for the return trip, including the driver's wait while you explore the gardens. 

Rabat's early history is based around this kasbah: built strategically on high ground over the mouth of the Bou Regreg River and the Atlantic, it was originally constructed for defensive purposes. Still inhabited, it once comprised the whole of the city, including the castle of Yaqoub al Mansour.

Walk up the steps to the huge, imposing ornamental gate, built, like Bab Rouah, by the Almohads. The gate's interior is now used for art exhibits. Enter the kasbah and turn right into Rue Jama (Mosque Street). The mosque, which dates from Almohad times (it was built in the mid-12th century), is on the left; it was supposedly reconstructed in the late 18th century by an English Muslim—Ahmed el Inglizi. Continue to the end of the road past a house called Dar Baraka, and you'll emerge onto a large platform overlooking the Bou Regreg estuary. Here there is the magnificent view across the river to the old quarter of Salé, and you can walk down to the water's edge. Go back along Rue Jama until you come to Rue Bazo on the left; this winds down the kasbah and past picturesque houses. Turn left, walk to the bottom of the street, and proceed down to the banks of the Bou Regreg to see the beautiful Jardin des Oudayas (Oudayas Garden), a walled retreat that you can explore at your leisure, and stop for tea at Café Maure. The garden (which is wheelchair accessible) was laid out in the early 20th century, but its enclosure dates from the beginning of the present Alaouite dynasty in the 17th century. At the top of the garden is the Musée des Oudayas (Oudayas Museum), featuring traditional costumes, and a 12th-century Koran. 

Yacoub el Mansour built Marrakesh's towering Moorish mosque on the site of the original 11th-century Almoravid mosque. Dating from the early 12th century, it became a model for the Hassan Tower in Rabat and the Giralda in Seville. The mosque takes its name from the Arabic word for book, koutoub, because there was once a large booksellers' market nearby. The minaret is topped by three golden orbs, which, according to one local legend, were offered by the mother of the Saadian sultan Ahmed el Mansour Edhabi in penance for fasting days she missed during Ramadan. The mosque has a large plaza, walkways, and gardens, as well as floodlights to illuminate its curved windows, a band of ceramic inlay, pointed merlons (ornamental edgings), and various decorative arches. Although non-Muslims may not enter, anyone within earshot will be moved by the power of the evening muezzin call.

This 19th-century palace, once home to a harem, is a marvelous display of painted wood, ceramics, and symmetrical gardens. Built by Sultan Moulay el Hassan I's notorious Grand Vizier Bou Ahmed, the palace was ransacked on Bou Ahmed's death, but you can still experience its layout and get a sense of its former beauty. Don't forget to look up at smooth arches, carved-cedar ceilings, tadlak (shiny marble) finishes, gibs cornices, and zouak painted ceilings. Fancy a room? Each one varies in size according to the importance of each wife or concubine. In 2020 the entire palace was repainted and some areas restored.

If you use an on-site guide, you should also tip 30 DH–50 DH.

Just north of the Zaouia of Sidi Mohammed Ben Naceur is a 17th-century medersa that still lodges 400 students preparing for university studies. The accompanying Koranic library once held the largest such collection in Morocco, with 40,000 volumes on everything from mathematics, philosophy, medicine, and astronomy to linguistics and Berber poetry. The remaining tomes are plenty impressive: a genealogy of the prophet Mohammed, manuscripts adorned with gold leaf, a medical book with afflictions written in red and remedies in black, and hand-illuminated manuscripts penned in mint (green), saffron (yellow), and henna (red) on gazelle hide. Ask for a look at the 13th-century algebra primer with Western Arabic numerals, which, though subsequently abandoned in the Arab world, provided the basis for Western numbers. There is no official admission charge, but a small donation is expected (20 DH).

Signposted on the Route de Fes as you head out to the Palmery, this enchanting walled garden with a contemporary art gallery is the creation of Marrakesh-born Abderrazzak Benchaabane—an ethnobotanist, perfume maker, garden designer, and local legend. The garden adjoins his home and exhibits his own collection of contemporary Moroccan art, paintings, and sculptures. Benchaabane was responsible for the restoration of the Jardin Majorelle at the request of Yves Saint Laurent in 1998, and the garden designs here clearly reflect his passion for creating beautiful natural spaces. The indoor gallery and arcades open out to a water garden with pergolas and pavilions, rose beds, and cactus gardens.

Inaugurated in 2014, this striking must-see museum is an exquisite showcase of contemporary art pieces from across the nation. The permanent collection charts the evolution of Moroccan artwork from the 20th century onward, while the skillfully curated temporary exhibitions focus on fascinating themes. There's a nice café here, too.

Agadir's municipal museum celebrates the Amazigh heritage of the region with collections of photography, jewelry, artifacts, and local handicrafts, as well as temporary exhibits. It's worth a visit to learn about the symbolism seen in Amazigh carpets and jewelry; there's also information about the Igouder (plural of agadir, a communal granary) of the local villages. If you're lucky, an English-speaking intern may be on hand to guide you around.

Opened in late 2017, the stunning Yves Saint Laurent Museum is an ocher- and brick-color construction of cubic forms and curves, with patterns resembling threads of fabric. Inside, there is a vast collection of fashion and haute couture accessories as well as temporary exhibits and a reference library of botany, fashion, and Amazigh culture. It's next to the Jardin Majorelle, which contains the Villa Oasis, where the designer lived. A combination ticket for the garden and museum is available. 

Chilean artist Claudio Bravo came to Morocco in 1972 and built this palatial home-turned-museum with stunning gardens and stables 10 km (6 miles) outside Taroudant. Following his death in 2011, the estate became a museum showcasing his art and collections, including works by friends like Picasso. The palace is divided into several pavilions connected by inner courtyards and covered walkways, while inside the guest rooms, salons, and Bravo’s private rooms and studios are paintings, sculptures, and artifacts, including Roman and North African ceramics. Wander through the gardens full of exotic plants to the large water basin, and rest in the shade of a pavilion with a cup of tea and views of the Atlas Mountains. A full guided tour takes two to three hours, but it’s possible to do an unguided visit of the gardens. The hefty entry fee includes transportation by horse carriage from the entrance to the main building. You must reserve in advance to visit. You can also reserve for lunch or dinner (expect to pay 400 DH–500 DH per person).

This delightful, beautifully maintained public garden does not receive the attention it deserves. Paved pathways wind through cactus plantations, rose gardens, and exotic flowerbeds, past ornamental fountains, and through striking cascades of bougainvillea. It's the perfect escape from the city mayhem. 

This outfitter offers engaging cultural tours, from unveiling the medina's secrets on the Architecture and Islamic Gardens Tour to culinary adventures on the excellent Souk Tasting Trails tour. Or join a family as they shop for produce in their local souk, pick up bread at their neighborhood farran (bakery), then learn how to preserve lemons, make mint tea, and conjure up typical salads and a tagine of your choice in the kitchen of their traditional dar. You’ll end by sitting down with the family to share the meal in true Moroccan style. Day trips beyond Fez—take a Roman picnic to Volubilis, barter at the carpet auction in Khenifra, or hike through the Rif Mountains—and longer excursions to the Sahara, the High Atlas, the coast, and all major Moroccan cities are also available.

Built in 1769 in the reign of Sidi Mohammed Ben Abdellah by an Englishman who had converted to Islam, Essaouira's port is still going strong in the southwest corner of town, and it's the one must-see sight for any traveler coming here. Trawlers and other boats bob along the quay, and middlemen and independent sailors sell the daily catch of sardines, calamari, and skate from small dockside tables. You'll be selling yourself short if you don't have a meal of the freshest fish imaginable at one of the shoreside grill restaurants. As Moroccan ports go, it's also one of the most beautiful, not to mention accessible and tourist-friendly.

The vast labyrinth of narrow streets and derbs at the center of the medina is the souk—Marrakesh's marketplace and a wonder of arts, crafts, and workshops. Every step brings you face-to-face with the colorful handicrafts and bazaars for which Marrakesh is famous. In the past, every craft had a special zone within the market—a souk within the souk. Today savvy vendors have pushed south to tap trading opportunities as early as possible, but the deeper in you venture, the more you will be rewarded by better prices and by seeing artisans at work---metalworkers, carpenters, tailors, and cobblers just to name a few. Look for incongruities born of the modern era. Beside handcrafted wooden pots for kohl eye makeup are modern perfume stores; where there is a world of hand-sewn djellabas at one turn, you'll find soccer jerseys after the next; fake Gucci caps sit beside handmade Imazighen carpets.

As you wander through the souk, take note of landmarks so that you can retrace your steps without too much trouble. Once the shops' shutters close, they're often unrecognizable.

The farther north you go the more the lanes twist, turn, and entwine. Should you lose your way, retrace your steps to the busiest thoroughfare and then look for the brown painted signs (usually found at key intersections) indicating the direction of Place Djemâa el Fna. But mostly you'll rely on people in the souk to point the way. If you ask a shopkeeper rather than a loitering local, you'll be less likely to encounter a "faux guide."

The Secret Garden, or Le Jardin Secret, opened to the public in 2016 after several years of intensive excavation, restoration, and planting. Once one of the largest private riads in the medina, the 16th-century site is home to beautiful Islamic architecture, the lush Exotic and Islamic gardens, an ancient, but still operational, water management and irrigation system, and the original watchtower that has commanding views over the whole medina. The restored Pavilions, which were once formal reception rooms, now house a small café and an exhibit of photographs that show the property's excavation and reconstruction. There are areas to sit and relax, a bookshop, café, and exhibition rooms. Well-informed guides are on-site and provide free tours of the gardens. Entry to the Tower is an extra 40 DH.

Turn left around the corner of the Great Mosque, and you'll see on your right the Abou el Hassan Medersa. Built by the Merenid sultan of that name in the 14th century, it's a fine example of the traditional Koranic school. Like the Bou Inania in Fez or the Ben Youssef in Marrakesh, this madrassa has beautiful intricate plasterwork around its central courtyard, and a fine mihrab (prayer niche) with a ceiling carved in an interlocking geometrical pattern representing the cosmos. Upstairs, on the second and third floors, you can visit the little cells where the students used to sleep, and from the roof you can see the entire city.

The beach here swings around a crescent from southeast to northwest; you're more likely to find a quiet spot if you wander south, although be careful to avoid the private beaches of the resorts. The most crowded areas, frequented year-round by families and locals, are to the north. Along the flanking thoroughfare, known as the Corniche (promenade), are cafés, bars, and restaurants. At the very northern end is the swanky marina development where private yachts are moored. The promenade comes alive at dusk, when families and youngsters take their evening walks, but as night falls, it can become a little sketchy. Nonetheless, from the shelter of a café terrace, it's still a good spot to stop and watch the world go by. The northern tip is also the place to rent a Jet Ski, catamaran, or surf equipment. Amenities: food and drink; water sports. Best for: sunset.

Stretching a full 3 km (2 miles) south of the Royal Palace, the Jardin de l'Aguedal comprises vast orchards, a large lagoon, and other small pools, all fed by an impressive, ancient system of underground irrigation channels from the Ourika Valley in the High Atlas. Until the French protectorate's advent, it was the sultans' retreat of choice for lavish picnics and boating parties. Sadly the Agdal Gardens have suffered from neglect in recent years and now have little charm for visitors. The largest basin, the 12th-century "Tank of Health," and the small pavilion next to it are still accessible on Friday and Sunday, but the vast orchards and olive groves, where Moroccans once strolled, are now closed to the public.

Perhaps Azemmour's most renowned resident artist, Ahmed el-Amine has been painting in and around the medina for nearly two decades. He still lives here, working out of this studio.