Fodor's Expert Review Santi Giovanni e Paolo
This gorgeous church looms over one of the most picturesque squares in Venice: the Campo Giovanni e Paolo, centered on the magnificent 15th-century equestrian statue of Bartolomeo Colleoni by the Florentine Andrea del Verrocchio. Also note the beautiful facade of the Scuola Grande di San Marco (now the municipal hospital), begun by Pietro Lombardo and completed after the turn of the 16th century by Mauro Codussi. The massive Italian Gothic church itself is of the Dominican order and was consecrated in 1430. Bartolomeo Bon's portal, combining Gothic and classical elements, was added between 1458 and 1462, using columns salvaged from Torcello. The 15th-century stained-glass window near the side entrance is breathtaking for its brilliant colors and beautiful figures; it was made in Murano from drawings by Bartolomeo Vivarini and Girolamo Mocetto (circa 1458–1531). The second official church of the Republic after San Marco, San Zanipolo (as its known in Venetian) is Venice's equivalent... READ MORE
This gorgeous church looms over one of the most picturesque squares in Venice: the Campo Giovanni e Paolo, centered on the magnificent 15th-century equestrian statue of Bartolomeo Colleoni by the Florentine Andrea del Verrocchio. Also note the beautiful facade of the Scuola Grande di San Marco (now the municipal hospital), begun by Pietro Lombardo and completed after the turn of the 16th century by Mauro Codussi. The massive Italian Gothic church itself is of the Dominican order and was consecrated in 1430. Bartolomeo Bon's portal, combining Gothic and classical elements, was added between 1458 and 1462, using columns salvaged from Torcello. The 15th-century stained-glass window near the side entrance is breathtaking for its brilliant colors and beautiful figures; it was made in Murano from drawings by Bartolomeo Vivarini and Girolamo Mocetto (circa 1458–1531). The second official church of the Republic after San Marco, San Zanipolo (as its known in Venetian) is Venice's equivalent of London's Westminster Abbey, with a great number of important people, including 25 doges, buried here.
Artistic highlights include an early (1465) polyptych by Giovanni Bellini (right aisle, second altar) where the influence of Mantegna is still very evident, Alvise Vivarini's Christ Carrying the Cross (sacristy), and Lorenzo Lotto's Charity of St. Antonino (right transept). Don't miss the Cappella del Rosario (Rosary Chapel), off the left transept, built in the 16th century to commemorate the 1571 victory of Lepanto in western Greece, when Venice led a combined European fleet to defeat the Turkish Navy. The chapel was devastated by a fire in 1867 and restored in the early years of the 20th century with works from other churches, among them the sumptuous Veronese ceiling paintings. However quick your visit, don't miss the Pietro Mocenigo tomb to the right of the main entrance, by Pietro Lombardo and his sons. Note also Tullio Lombardo's tomb of Andrea Vendramin, the original home of Tullio's Adam, which has recently been restored in New York City's Metropolitan Museum of Art.
READ LESS
