221 Best Sights in Sicily, Italy

A vast archaeological site in a remote location, Morgantina long provided rich pickings for illegal excavators: when Italian detectives raided an 18th-century villa in Enna belonging to a Sicilian art dealer, they discovered more than 30,000 ancient artifacts, most of them plundered from Morgantina. In 1986, American archaeologist Malcolm Bell, director of the University of Princeton’s excavations at Morgantina, established that the heads, hands, and feet of 6th-century BC Greek statues of goddesses from a private collection exhibited at the Getty museum outside of Los Angeles also derived from Morgantina. Identified as Demeter and Persephone, the statues were acroliths, with wooden bodies (long rotted away) and marble extremities. Returned to Sicily in 2009 after a lengthy legal battle, they are currently displayed at a small museum in the village of Aidone, beautifully lit and hauntingly "dressed" by Sicilian fashion designer Marella Ferrara.

Equally powerful is the so-called Aphrodite Getty, or Venus of Malibu, bought by the Getty in 1987 for $18 million on the basis of provenance documents that were later proved to have been forgeries. Returned to Sicily in 2011, the hefty maturity of her body, revealed by wind-blown drapery, has led most scholars to identify her as the Mother Goddess Demeter. Other objects returned from the Getty include the Eupolmos Silver, a set of ritual dining ware, and a head of Hades, identified as belonging to Morgantina when a student working in the site archives discovered a terra-cotta curl of blue-tinted "hair" and suspected that it belonged to a head on display in the Getty. When the curl was sent to the museum, it was found to be a perfect fit, and in 2016 the head was returned to Sicily.

One of Sicily’s best-kept secrets, the archaeological park of Akrai is home to what is said to be Siracusa’s first inland settlement, built to defend its overland trading route from other Greek colonies. You can access the site by a steep but steady 20-minute walk or a five-minute drive. Today, the site contains mainly ruins, but it is well worth visiting simply to see the Teatro Greco, originally constructed in the 3rd century BC to seat 600. Around the site, you'll also find two old stone quarries used to build the settlement, then converted into burial chambers as well as a remarkably well-preserved portion of the stone road into the area. On a clear day, you can also see Mount Etna rising majestically in the distance.

Though the bar first opened in 1962—and the building has been around since the 1400s—this little café didn't gain worldwide popularity until Francis Ford Coppola chose it as the setting of significant scenes in The Godfather. In fact, prior to Coppola, the bar didn't even have an official name. He chose "Bar Vitelli" for his fictional café, had the name painted on the exterior wall, and the name has stuck for decades. Here, Michael Corleone famously asked Apollonia to marry him. And most street scenes where Michael is seen walking up the road were filmed on the building's side. The interior of the café functions as a small museum of the filming that happened in Savoca, with film stills and photos throughout. Outside, small tables sit under fairy lights and an arbor of vines. Be sure to order a lemon granita with a splash of Zibbibo, a sweet dessert wine. And though the rest of Sicily serves granita with brioche, here you'll find lightly sweetened "zuccarata" cookies. 

At the oldest winery on Etna, the expansive terrace shaded by oak trees looks out over vineyards and down to the sea. The staff offers friendly and informative tours (with excellent English) followed by a tasting of five wines with food pairings or a more formal lunch. Reservations are required. There are also four charming guest rooms overlooking the vineyards for overnight stays.

Locals consider this the most important church in Palazzolo Acreide, rebuilt and repaired after an earthquake ravaged the majority of the region in the 17th century. When you enter, usually a volunteer will be available to take you on a brief tour. The main focal points are the relics and the statue of St. Paul paraded through the town's streets between June 26 and June 29 each year. Entry is technically free, but be prepared to make a modest contribution toward the church's upkeep at the end of your tour.

At the foot of Monte Serra in Viagrande, this family-run winery is one of the most internationally significant on Etna, distributing some 170,000 bottles worldwide. And the Benanti family has been instrumental in propagating the viticulture of the volcano. As you arrive at the 19th-century estate for a tasting, you'll easily be seduced by the historic grounds and hills flanked with vines. But their wines, approximately 15 different expressions of Etna, hold the real magic.

Housed, perhaps appropriately, in an ex-orphanage in the center of Corleone, the Centro Internazionale di Documentazione sulla Mafia e del Movimento Antimafia, or C.I.D.M.A., chronicles the dark history of the criminal organization that has been identified with Sicily for much of the 20th century. Most of the story is told through a moving exhibition of black-and-white photographs, almost all taken by Letizia Battaglia, who bravely made it her life's work to record the Mafia's activities in Sicily, in particular the arrests of Mafia operatives and the deaths of their victims. One room holds the vast collection of files used in the Maxi-Trial of Mafia suspects that took place between 1986 and 1992, which directly led to the murders of the judges Giovanni Falcone and Paolo Borsellino, who are also remembered here. There is space given to the pentito (informant) Tomasso Buscetta, whose testimony resulted in a slew of arrests, but whose entire family was wiped out by vengeful hitmen. It's a sad and sobering experience to hear about such atrocities, and a visit to the center is best undertaken with a guide, without whose explanations you would miss much essential information. Call ahead to book a guided tour (available in English).

Just a 20-minute drive from Enna, occupying a similarly dramatic crag-top, the town of Calascibetta is built atop a honeycomb of caves, most of them hidden from sight as they form the cellars of simple houses. Look closely, however, and you’ll spot some houses built straight into the rock, and keep an eye open if anyone opens a garage door as there may well be a cave inside. An entire network of these caves has been uncovered—and is evocatively floodlit at night—on Via Carcere. Head up to Piazza San Pietro, where there are the ruins of a Norman tower and panoramic views. Follow signs from Calascibetta to the “Villaggio Bizantino” and you’ll come to a stunning complex of caves overlooking a magnificent valley inhabited (and used as a cemetery) from ancient times until the Byzantine period, when some of the caves were turned into tiny churches. The caves continued to be used by shepherds as shelter for themselves and their flocks until relatively recently. Today, the villaggio is run by volunteers, who will organize guided tours and walks in English, and introduce you to some of the local shepherds and cheesemakers. It's always open Friday and Saturday, but reach out in advance if you want to visit another day. Not far from the villagio (and clearly signposted from Calascibetta), there is another series of caves (not guarded) at Realmese which you can scramble into and explore alone (but be careful as the rock is slippy). From here, a clearly marked track leads back to the village, a walk of just over 3 miles.

This husband-and-wife team makes artisanal cheese from the rare breed sheep that graze on their fields, and also grows and collects their own saffron to make a distinctive local cheese, Piacentino Ennese, flavored with saffron and studded with black peppercorns. If you want to watch the whole cheese-making process, you will need to book several days ahead and be prepared to rise well before dawn. Otherwise, give them a ring and pop by for a morning bowl of hot ricotta curds with fresh bread. Groups of nine or more can book a lunch or an aperitif.

A visit to this fantastic castle, the biggest in Sicily and one of the grandest in all of Italy, is like stepping into the Middle Ages, complete with a well-stocked medieval armory, creepy dungeon prison, and elegant upper-level rooms decorated with detailed woodwork carving and majolica ceramic floors. The castle was the property of the Chiaramontes, once a powerful Sicilian aristocratic family. The views of the Rosamina lake and valley below are beyond spectacular.

In all of Sicily there may be no spot more scenic than atop Castello Normanno, reached by a set of steep staircases rising out of the town center. From here you can gaze upon two coastlines, smoking Mount Etna, and the town spilling down the mountainside. The area was fortified by the Byzantines in the 9th century and was later rebuilt by the Normans, but all that stands today are the remains of the 16th-century castle walls. Come during daylight hours to take full advantage of the vista.

For a walk on the moonlike surface of Etna, visit the Silvestri craters on the southern side of the volcano, near Nicolosi. Located at an altitude of roughly 6,200 feet, these five extinct craters formed during the 1892 eruption. Just a few meters away, across from Rifugio Sapienza, you'll find the Funivia dell'Etna (€30 round-trip), a cable car that carries you 8,000 feet up to Monte Montagnola, where you can hike further with a guide or go skiing in winter. 

Also known as the faraglioni, these ancient volcanic islets are so dramatically stunning they have inspired writers throughout the centuries. Homer set Odysseus's battle with the cyclops here in The Odyssey, contending that the angered and freshly blinded cyclops Polyphemus hurled giant hunks of rock from Etna to the sea to destroy Odysseus and his ship. Sicilian writer Giovanni Verga set his most famous novel, I Malavoglia, on the island of Lachea, the largest of the isles. Today the area is a protected marine preserve. You can kayak or swim the waters or take a short boat taxi to Lachea to visit the Lachea Island Museum of Sea Studies, which highlights the flora and fauna of the area in a tiny museum perched near the top.

Located in the rolling hills just below Tindari, this local winery offers the chance to sample the best locally produced wines. You can also go on a tour of the historic wine press and enjoy a light meal. Wine tastings require a minimum of four people per booking.

A respected Sicilian wine producer, the 160-year-old Donnafugata Winery is open for tastings and tours of its cantina (wine cellar); reservations are required and can be made online or by phone. It's an interesting look at the wine-making process in Sicily, and it ends with a sampling of several whites and reds, an optional food pairing, and a chance to buy a bottle. Don't miss the delicious, full-bodied red Mille e Una Notte, and the famous Ben Ryè Passito di Pantelleria, a sweet dessert wine made from dried grapes.

Monreale's splendid cathedral is lavishly executed with mosaics depicting events from the Old and New Testaments. It's a glorious fusion of Eastern and Western influences, widely regarded as the finest example of Norman architecture in Sicily. After the Norman conquest of Sicily, the new princes showcased their ambitions through monumental building projects. William II (1154–89) built the church complex with a cloister and palace between 1174 and 1185, employing Byzantine craftsmen.

The major attraction is the 68,220 square feet of glittering gold mosaics decorating the cathedral interior. Christ Pantocrator dominates the apse area; the nave contains narratives of the Creation; and scenes from the life of Christ adorn the walls of the aisles and the transept. The painted wooden ceiling dates from 1816–37 while the roof commands a great view (a reward for climbing 172 stairs). The wood and metal organ, the only one in Europe with six keyboards and 10,000 pipes, was restored after lightning damage in 2015, and played by Mick Jagger on a private visit in 2021.

Bonnano Pisano's bronze doors, completed in 1186, depict 42 biblical scenes and are considered among the most important medieval artifacts still in existence. Barisano da Trani's 42 panels on the north door, dating from 1179, present saints and evangelists.

Siracusa's Duomo is an archive of more than 2,000 years of island history, and has creatively incorporated ruins through the many time periods it has survived, starting with the bottommost, where excavations have unearthed remnants of Sicily's distant past, when the Siculi inhabitants worshipped their deities here. During the 5th century BC (the same time Agrigento's Temple of Concord was built), the Greeks erected a temple to Athena over it, and in the 7th century, Siracusa's first Christian cathedral was built on top of the Greek structure. The massive columns of the original Greek temple were incorporated into the present structure and are clearly visible, embedded in the exterior wall along Via Minerva. The Greek columns were also used to dramatic advantage inside, where on one side they form chapels connected by elegant wrought-iron gates. The Baroque facade, added in the 18th century, displays a harmonious rhythm of concaves and convexes. In front, the sun-kissed stone piazza is encircled by pink and white oleanders and elegant buildings ornamented with filigree grillwork, and is typically filled with frolicking children and street musicians. Check with the tourist office for guided tours of its underground tunnels, which are located to the right when you stand facing the cathedral.

The island’s first female winemaker, Emanuela Bonomo not only makes a fantastic passito dessert wine, but also had the vision to see that Pantelleria’s traditional gastronomic preserves made of capers, olives, fruits, vegetables, herbs, and oil that many islanders took for granted could find an international market. Her beautifully packaged preserves, pestos, and condiments inspired many islanders to revisit their own family’s traditions. Book ahead for a tour of the vineyard that includes visiting the Bonomo’s caper fields on Monte Gibele.

This nonprofit is dedicated to research and conservation of Aeolian sea life, particularly dolphins, sperm whales, and sea turtles. You can join one of their naturalistic excursions to go snorkeling with a marine biologist, go out on a boat at dawn to watch for cetaceans and turtles, or have a guided visit to the Sea Turtles First Aid Center. If you'd like to become more involved, you can join a one-week research camp on dolphins and turtles as a volunteer.  

The path to the island's main crater, the Gran Cratere, starts just south of Porto di Levante, and the entire climb takes about an hour. While the ascent itself is easy(ish), the path is a slippery mix of sand and stones, so wear good sturdy shoes. Just be aware that it's a fully exposed climb, with no shade trees anywhere on the path, just smatterings of yellow-blossomed gorse bushes, so plan to go early or late in the day to avoid the full beatdown of the sun. But the climb is truly worth it: the rim of this crater is the only place in the Aeolians where you can see the whole archipelago in one glance. 

Selinunte was one of the most important colonies of ancient Greece, recently discovered to have been home to the largest industrial quarter found in any ancient European city. Founded in the 7th century BC, the city became the rich and prosperous rival of Segesta, making its money on trade and manufacturing ceramics. When in 409 BC Segesta turned to the Carthaginians for help in vanquishing their rival, the Carthaginians sent an army to destroy Selinunte. The temples were demolished, the city was razed, and 16,000 of Selinunte's inhabitants were slaughtered. Archaeologists recently discovered pots with the remains of food inside, proof that some were in the middle of eating when the attackers arrived. The remains of Selinunte are in many ways unchanged from the day of its sacking—burn marks still scar the Greek columns, and much of the site still lies in rubble at its exact position of collapse. The original complex held seven temples scattered over two sites separated by a harbor. Of the seven, only one—reconstructed in 1958—is whole. This is a large archaeological site, so you might make use of the private navetta (shuttle) to save a bit of walking. Alternatively, if you have a car, you can visit the first temples close to the ticket office on foot and then drive westward to the farther site. Be prepared to show your ticket at various stages.

Not far from Termini is the hamlet of Buonfornello, a precious archaeological site that includes the remains of the ancient city of Himera, founded by Greek settlers in 648 BC. Hannibal later destroyed ancient Himera in 409 BC, and the surviving population moved to the nearby thermal springs, which later became Termini Imerese. The outdoor archaeological area houses the ruins of many Roman temples and buildings. The more precious items recovered from the excavations are housed in the on-site museum. These include artifacts like bronze and ceramic vases and intricate artworks made with other precious metals.

The twisted maze of narrow streets and tiny courtyards at the core of Mazara’s historical center is most interesting if you visit with a local guide. There is no danger, but as the distinction between what is a private courtyard and a public thoroughfare is blurred, it is far more comfortable, as a stranger, to be accompanied by a local (in addition, you will probably get to meet a few of the 4,000-strong Tunisian community who live here). Throughout the Kasbah (and indeed scattered all over the historic center) are a series of ceramic statues, some commissioned from local artists, others by schoolchildren, as an appealing initiative by the local administration. On Via Porta Palermo, students from the local art school were given free rein to decorate the metal doors of abandoned lock-ups. Tours are at their most evocative just before sunset, when men gather after a day’s work in little social clubs, children play in the street or go to the community play center, and the sound of a recorded muezzin calls the faithful to prayer.

One piazza over from the dancing nymphs of Fontana Pretoria, this church, with its elegant Norman campanile, was erected in 1143 but had its interior altered considerably during the Baroque period. High along the western wall, however, is some of the oldest and best-preserved mosaic artwork of the Norman period. Near the entrance is an interesting mosaic of King Roger II being crowned by Christ. In it Roger is dressed in a bejeweled Byzantine stole, reflecting the Norman court's penchant for all things Byzantine. Archangels along the ceiling wear the same stole wrapped around their shoulders and arms. The much plainer San Cataldo is next door.

According to legend, it was at the huge natural lake of Pergusa that the Greek goddess Persephone was abducted by Hades and taken to live with him in hell. Ringed these days by a motor-racing track and overlooked by modern villas, a less evocative setting for the myth would be hard to imagine. Far more inspiring is the nearby hilltop known as Cozzo Matrice, riddled with caves that have niches carved into their walls for tombs, votive objects, and candles, with 360-degree views stretching as far as Mount Etna and the coast. One of the caves is known as the Grotta di Ade, or Cave of Hades, and would indeed be a far more resonant spot for his abduction of Persephone to the Underworld than the over-exploited lake.

Thought to be originally from the Byzantine period (although their exact history is still unknown), these caves carved out of stone can be found in and around town. They were originally used as burial sites, but then eventually became homes, although how or why is still a mystery. They were actually still inhabited up until the 1960s. Today the curious tiny houses are open to the public, and those closest to town have been turned into a museum by the local government. 

Driving along the flat and winding coast road north of Marsala, you'll soon come across the extraordinary series of salt pans glistening in the shallows of Sicily's largest lagoon, the Stagnone di Marsala. The shallow depth of the lagoon, ranging from 2 to 6 feet, has made it perfect for the production of salt, and it has been put to this purpose since Phoenician times. The sheer flatness of the scene is varied only by the conical heaps of salt and a scattering of the disused windmills once used to supply power. The scene is still and quiet most of the time, but you'll sometimes see pockets of activity, with full wheelbarrows of salt being hauled to the conveyor belts that create the mounds. The stacks of earthenware tiles you'll see everywhere are used to weigh down the salt to prevent it being from blown away by gusts of wind. It's an extremely photogenic tableau, with the light changing through the day and Mozia and the Egadi archipelago looming through the haze.

The narrow coastal road is one-way for much of its length, and the cycle track running alongside it enables the area to be comfortably toured on two wheels.

A remote and atmospheric archaeological site, Morgantina is quite beautiful, especially in spring when carpeted with wildflowers. In addition, it attracts few tourists, despite the fact that it hit the international headlines in the 1980s when it was discovered that several priceless but illegally excavated finds from the site had ended up in the Getty Museum in California. These have now been returned to Sicily and are on permanent exhibition in the small museum in nearby Aidone.

Here, Greeks and indigenous Sikels seem to have lived together in relative peace on a hill named Cittadella until 459 BC, when the Sikel leader Ducetius, determined to free Central Sicily of Greek influence, drove the Greeks out. By the following century, the Greeks had regained control of Sicily, and Syracuse, in the southeast, had become the most powerful city in the Mediterranean. Lying roughly halfway along the road that led from the east to the north coast of Sicily, Morgantina was rebuilt, this time on the hill now known as Serra Orlando. The ancient economy of Morgantina was founded on the cultivation of wheat, so it is little surprise that the dominant cults were those of Demeter, goddess of harvest and fertility, and her daughter Persephone. Even today, the site is surrounded by an ocean of wheat and cereal fields, and asphodels, the flower sacred to Persephone, are abundant.

In 211 BCE, the city was sacked by the Romans and handed as a war prize to Spanish mercenaries, who seem to have paid it little attention; according to the geographer Strabo, by the end of the following century, the city was nowhere to be seen. Excavations began in 1955, led by Princeton University with funding from the King and Queen of Sweden (who became regular summer visitors to the site).

Today you enter the site through what was once a well-to-do residential area where several fine mosaic floors, made with tiny tesserae, can be spotted in the foundations of large houses. Beyond, Plateia A, once the main shopping street, leads into the Agora, or official center of town, with a public fountain, several abandoned lava grain mills, an Archive office (where you can still see holes where documents were pegged to the wall), and a very ingenious system of interlocking terra-cotta water pipes, each with an inspection panel that could be easily lifted to clear blockages. Overlooking the Agora is a small but beautifully preserved theater  (where performances are still held in summer), and the stepped benches of the Ekklesiaterion, the meeting place of the town rulers. On the far side of the Agora, you can walk up through ancient kilns to the foundations of what was once the public granary—under Siracusan rule, all citizens had to surrender a quota of the grain they grew as tax. Above are the remains of two elegant private houses, each with a courtyard and mosaic floors.